Quinoa SC LightĪs a Sans Serif font, it combines the qualities of geometric architecture and organic writing to add warmth to the design. It’s modern, edgy, futuristic and appropriate for a photographer who shares these stylistic leanings with the font.ĭribbble/Patrick Von Spreckelsen Related: 10 Most Versatile Fonts Every Designer Should Own 9. This one belongs to the Slab Serif font family and is a non-conformist, non-contrasting, geometric typeface. Few ligatures have been crafted deliberately differently so the text may look legible and not too-casual.įor adventure and lifestyle photography logos, this font will look the best. It has been designed to look handwritten and casual, much like how you’d scribble on a shopping list. Shopping ScriptĪs evident from the name, Shopping Script belongs to the Script style of fonts and is aptly named. By modifying colors and canvas surfaces, you can make the font look sophisticated and elegant, too.ĭribbble/Rubel Sarowar 7. Asket Extended MediumĪnother Sans Serif, it is made for a modern photography logos with its clean edges, uniformed application, and fresh feel. Image Source: Behance/Dimitrije Mikovic 6. If you are a fashion photographer, into artistic photography, or cover modern weddings, consider this your go-to font as you start branding your photography business. It’s clean, angular, impactful, and stylishly minimal. Futura No 2 D SC MediumĪnother Sans Serif, it is one of those fonts that look absolutely fitting on a photography logo. It’s easy, non-pretentious, can look good on a number of photography logo designs from contemporary to abstract and from minimal to retro.Ĭonsider it one of the most forgiving fonts on this list, which can look good on a number of surfaces and colors. The next font on our list and is used in this illustrative photography logo is Today SB and belongs to the Sans Serif class. If you want to use it on your photography brand identity, see if its casualness and free-spiritedness matches with your style. As a handwritten font, it brings all these different characters together to form a single, harmonious family of the typeface. It is a very interesting font, primarily from the Script family but it also consists of typestyles comprising of Sans, Slab, different ornaments, and other decorative characters. Image Source: Behance/Tanmoy kumar biswas 3. As a modern and very direct font style, it suits a photography brand that is purposeful and focused. It’s one of the most stylish fonts for a photography logo and looks versatile and timeless. Sequel Sans, as you can probably guess from its name is a Sans Serif font. Image Source: Behance/Ramiz Mortada Related: Font Moods: Emotions Elicited By Different Types Of Fonts! 2. If you want to exude confidence through your photography logo and attract a clientele that is looking for elegance and luxury, go with Operetta in your design. It also comes with an extensive character set and additional features (swashes and arrows) to add even more oomph to your brand design. It gives you ample control over its readability by providing you with alternates and extended glyphs coverage. Operetta belongs to the Serif font family and looks contemporary, elegant, and chic. But for a free-spirited travel photographer, a signature font may look more appropriate.īelow, as we discuss each of our selected fonts individually, you’ll start appreciating these subtle differences more. If you take traditional wedding photos, for example, a traditional font in your logo will attract a similar audience to you. The key to choosing the perfect font for your photography brand logo is selecting a style that is in sync with the kind of images you take. Each style is quietly distinct from the other, and in today’s collection, you’ll find a representation (or two) of each of these styles. Typefaces come in three distinct styles: Serif, Sans Serif, and Script. In our previous two articles on the topic of photography logo designs, we have covered essentials of photography design and colors used in photography logos. A logo design is comprised of three essential elements: iconography (symbols), colors, and fonts.
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